The work can be seen in terms of a critical spatial practice, occupying the territory between sculpture and architecture, as an interdisciplinary discourse using the notion of a spatial drawing as a structural model to explore poiesis, the idea of making as thinking and space as a practiced place; an existential foothold originating within Heideggerian philosophy and phenomenology.
2015 MA Fine Art - Chelsea College of Arts, London
2012 BA Fine Art - Chelsea College of Arts, London
Risk
February 2016
Ruins of Time
November 2015
Disstemma VII
October 2015
Silent Movies
October 2015
Office Sessions IV
August 2015
Housed
April 2015
Office Sessions III - OFFICE PARTY
November 2014
Art O’clock I
August 2014
Collaborationem
July 2014